The Effect of Gamma Rays on Man-in-the-Moon Marigolds. Play. Paul Zindel
F5, or 2 women, 3 girls. A living-room.

Encouraged by her teacher, Matilda undertakes a gamma ray experiment with marigolds which wins her a prize at high school - and brings on the shattering climax of the play. Proud, jealous, too filled with her own hurts to accept her daughter's success, Beatrice can only maim when she needs to love, and deride when she wants to praise. Yet, as Matilda's experiment proves, something beautiful can emerge from even the most barren, afflicted soil.

84 Charing Cross Road. Helene Hanff. Adapted for the stage by James Roose-Evans
M3 F4 or 5. Extra 1 M. Split set: an apartment and bookshop.

In 1949 a struggling American writer started a correspondence with a firm of British antiquarian booksellers that was to last for twenty years. The warm, compassionate and very human exchange of letters was published as a book and is here skilfully and lovingly adapted for the stage. 'An evening of enchantment and charm the like of which is rarely encountered in the theatre.' What's On in London
ISBN 0 573 11005 0

The Elephant Man. Play. Bernard Pomerance
M5 F3, with doubling and trebling. Composite setting.

The true story of John Merrick, treated first as a fairground freak because of his hideously, repulsively deformed body and later exploited more subtly by Victorian society. He is befriended by a young doctor who provides him with a home in the London Hospital where Merrick is shrewdly used for fund-raising. He is introduced to high society, and is trapped by Victorian values so incongruous to his reality. Even those who love him can't help him and he dies from his horrible affliction. Period 1884-90

Elizabeth Gordon Quinn (in Scot-Free) : Chris Hannan
4-10m 4f. Historical drama. Single interior set.

Elizabeth Gordon Quinn battles to keep her dignity as she is faced with squalor, poverty, rising rent prices and a son who is wanted for desertion from his regiment.

You expect that a play set in the Glasgow rent strike of 1915 will be a model of dour social realism, but [the play] confounds all expectations. The result is both startling and provocative. Guardian.
ISBN 1854590170

Elsie and Norm's "Macbeth". Comedy. John Christopher-Wood
M 1 (late middle-age) F1 (late middle-age). Extra 1 M. A living-room.

Elsie and Norm have decided to have a bit of a bash at culture by staging a production of Macbeth in their living-room. After a spot of judicious rewriting by Norm to make it snappier and more punchy, and undaunted by the large cast, Elsie and Norm set out to act 'one of the greatest pieces of literature what has ever been wrote in the English language', playing all the characters between them. The hilarious results set Shakespeare spinning in his grave!
ISBN 0 573 01754 9

End of Me Old Cigar. John Osborne. Copies available on hire only. Please contact Samuel French Ltd for further details.

Elton John's Glasses. Play. David Farr
M4 (21, 24, 30s) F2 (16, 35). A room.

Bill is a fanatical supporter of Watford FC. Day after day he sits in his unfurnished flat, watching the 1984 Cup Final with an obsession verging on madness. The video replays the fatal moment when the Watford goalkeeper fumbles the ball and Everton take a two-nil lead. Bill blames the goalkeeper's mishap on the glare from Elton John's glasses. Reconciled to an agoraphobic existence, Bill laments the decline of his beloved team: 'It was there the dream died'.

The End of the Food Chain. Play. Tim Firth
M5 (20s) F1 (20s). Composite set: 3 levels of a grocery distribution depot, plus the roof.

Welcome to the 'animal shift' at Kale Moor grocery distribution depot. Under the guidance of Bruce, work here is an endless round of sports and juvenile humour. But a change is due, for their new colleague is not a born games player and is-even worse-a woman. Wildly funny, sharply observed and peopled with vivid, likeable characters, this is another comic gem from the author of Neville's Island.
ISBN 0 573 01755 7

An Englishman's Home Play. Stephen Mallatratt
M3 (young) F3 (young). A living-room.

Brian, a bit of a snob, has furnished his 'castle' with luxurious trimmings to show off to his relatives. They remain unimpressed, as does his wife, Mandy. After one family gathering, Mandy decides she has had enough and leaves him. The other young members of the group try to effect a reunion; unfortunately their efforts only reveal their own hidden tensions, and the result is worse for Brian than before.
ISBN 0 573 01595 3

Enjoy. Play. Alan Bennett
M6 (teenage, 20s, middle-age, 60s) M4 (non-speaking) F3 (20s, 60s). A living-room.

Dad thinks everything will be better when the family moves. The social worker who calls to observe their lives turns out to be absent son Terry, idolised by Mam, in drag. Secretary daughter Linda, in reality a prostitute, breezes in, shattering Dad's illusions. The house is dismantled around them to be rebuilt in a park preserving the ideals of family life. Mam will be in a showcase whilst Dad is carted off to the geriatric ward.
ISBN 0 573 11129 4

The Enquiry. Play. Charlotte Hastings
M2 (20s, 50s) F10 (20s-70s). The Governor's office in an open prison.

Kate, a prisoner sentenced for killing her very sick child, has been attacked and driven to attempt suicide. The prison authorities discover that the attack was made by an inmate, Gow, who has a lesbian attachment to another prisoner, Valentine, and who is insanely jealous of Kate's innocent friendship with Valentine. The investigations also reveal that Kate's husband had killed the child and that Kate, herself innocent, is shielding the man she loves.
ISBN 0 573 01114 1

Enter a Free Man. Comedy. Tom Stoppard
M5 (young, 30s, 50s) F3 (18, 20s, 50s). Composite setting.

George Riley refuses unemployment on the grounds that he is employed in inventing; unfortunately his inventions are slightly ahead of their time. Every Saturday he sweeps into his local declaring that he has left home to make his fortune. But this Saturday his long-suffering, pocket-money-providing daughter has had enough, and she too runs away, only to discover that her knight in shining motorcycle gear is already married. Sunday finds them both back at home once again.

The Entertainer. Play. John Osborne M5 (young, middle-age, 50s, 70s) F3 (young, 22, 60s). A living-room, a front cloth.

Archie Rice is a failure as a comedian. News of his son's death while on military service arrives as the family is anticipating his return with a party. Archie tries to stage a comeback for his befuddled, has-been father who, mercifully, dies in the attempt. A prosperous brother offers to send the family to Canada but Archie cannot leave the decaying world of the music hall, where he is at home.
ISBN 0 573 11206 1

Entertaining Mr Sloane. Play. Joe Orton
M3 (young, elderly) F1 (middle-age). A room.

A youth named Sloane comes in search of a room, and is then seduced by the landlady. Along comes her homosexual brother, who sets about capturing the affections of the youth for himself. Their father believes he witnessed the youth murder someone and, to silence him, Sloane kicks the old man to death. The landlady and her brother now have Sloane exactly where they want him: each of them will enjoy his company for six months of the year.

Entertaining Strangers. Play. David Edgar
59 characters. Various simple interior and exterior settings.

Sarah Eldridge, a beer-brewing tradeswoman, embodies the free-thinking, bustling spirit of a community beginning to reap the rewards of the Industrial Revolution. The rise to commercial eminence runs parallel to the story of Reverend Henry Moule, a hard-line fundamentalist who believes brewing to be a sinful trade. During the Dorchester cholera epidemic Moule, spiritually intolerant, proves socially altruistic, while self-interest keeps Sarah away from helping the infectious sick. Period Victorian

Epitaph for George Dillon. John Osborne. Copies available on hire only. Please contact Samuel French Ltd for further details.