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Family Business

Drama. Dick Goldberg. 6 men. Interior.

Old, rich and ailing, Isaiah Stein dominates the lives of his four grown sons, three of whom are still living at home. Bitter over the death of his wife in an accident for which he holds one of his sons responsible, and aware that his own time is short, the old man constructs a will which closely controls the disposition of his sizable estate and which, after he experiences a fatal heart attack, exacerbates the tensions which have been building between his sons. One, married and establishing a career in psychology, is desperately in debt; another, who has taken over the family business, wants to keep a tight rein on the money; a third, obsessed with preserving home and family, tries to keep things as they were when their mother was alive; while the youngest brother, a hitherto secret homosexual, wants to use his share of the estate to gain his independence from the others. Inevitably antagonisms mount as each brother maneuvers to his own advantage, but from this a basic, inescapable truth emerges - these men are a family, four brothers whose shared love and loyalty will, in the final essence, transcend the bitterness which their confrontation has provoked.
ISBN: 0-8222-0381-2

Family Circles.

Play. Alan Ayckbourn
M4 (20s, 30s, 60s) F4 (20s, 30s, 50s). A living-room.

'We all marry the wrong people,' announces Edward Gray and, looking at his three daughters and their unsuitable partners, it is difficult to disagree. Edward's marriage to mousy Emma isn't much better- otherwise why would the daughters suspect they are trying to kill each other? Just as the plot is thickening, there comes Ayckbourn's coup de theatre : the younger couples change partners - and then again! - so that every possible combination is shown to the audience.
ISBN 0 573 01764 6

Family Devotions

Play David Henry Hwang. 4 men, 5 women. Divided Set.

Ama and Popo, two elderly and devoutly Christian Chinese sisters, escaped with their family from China just before the Communist revolution. Their younger brother, Di-Gou, however, believed in the revolution and returned to China. The two curmudgeonly sisters now live in Bel Air, California, with their daughters, Joanne and Hannah, and their daughters' prosperous husbands, Wilbur and Robert. The married couples have completely embraced some of the worst aspects of being American, waste and total self-involvement. Their children, however, Jenny and Chester, are not this way and are preparing their own escapes by one going to college and the other getting a job with the Boston Symphony Orchestra. The whole family eagerly awaits a visit from Di-Gou, whom the sisters have not seen in over thirty years. When he arrives it is clear he is not the man his sisters remember. a religious young man who went out on a tour of China with a Christian evangelist and who had converted the family. Now Di-Gou does not believe in God, and when his sisters go so far as to tie him up and beat him to try and remove the "demon spirit" from his body, he reveals that the evangelist they have revered for so long was a fake with an illegitimate child. They refuse to believe this, but Di-Gou pursues the matter and even asks them to return to China and Chinese ways. But this request, along with the shock of the religious revelation, kills the elderly Ama and Popo. As their daughters react in horror, Di-Gou slips away and Jenny and Chester also begin to make their exits.
ISBN: 0-8222-0265-4

The Family Man

Comedy. Benjamin Zavin and Carl Leo. 5 men, 7 women, 1 boy, 1 girl. Interior

Bill Cahill, a former athlete but accident-prone, breaks his leg sliding into third base while playing baseball with his children. Faced with a long convalescence, his wife, Ellen, valiantly goes back to work to support the family while Bill looks after the house. They do their work grudgingly, not realising that they are both happier and more efficient in their new roles. Then Ellen, on a last minute impulse, brings her boss home for dinner, sending Bill into a rage. Bill feels this imposition is the last straw and their new scheme of living, as well as their marriage, seems to be heading for the rocks. Things become even more uproariously complicated when it is discovered that Bill, using his wife's name, has sent in one of his original cookie recipes and an essay on homemaking to a TV Contest - and has been chosen the recipient of the Homemaker Award of the Year. The winner is to receive $50,000, plus additional sums for appearing on television - but the winner must be a woman. Bill wants his wife to pass herself off as the homemaker, but she refuses to be involved in anything so deceitful. The producers of the TV show arrive and are alarmed and dismayed when Ellen turns down their handsome award, and then are horror-struck when they realise they have bestowed their award on a man rather than a woman. Their fifteen million dollar TV program might be held up to ridicule and cancellation. But they decide, to save face and their program (and to capitalise on the enormous publicity which they sense will develop), to give the award this year to, a man - Bill Cahill. Bill and Ellen are happily reunited, and the next thing we hear is that there is a sudden rash of broken bones among the men in the neighbourhood. Accidental? Perhaps. But then Bill Cahill has shown that staying around the house each day might not be such a bad idea after all.
ISBN: 0-8222-0383-9

Family Planning.

Play. Frank Vickery
M3 (young, 21, 40s) F4 (teenage, 40s, old). Composite setting: a living-room, a bedroom, a hallway.

When young Tracy discovers she is pregnant she doesn't know how to tell either her parents solid, dependable Elsie and hypochondriac Idris - or her boyfriend, Bobby. Gran, permanently ensconced in bed (on stage), knows all and sees all, and helps to pave the way for her announcement. Unfortunately, Idris, overhearing Tracy and Elsie, jumps to the wrong conclusion and believes he has but a short time to live! An hilarious comedy!
ISBN 0 573 01685 2

The Fancy Man

Mike Stott : Comedy 4M 3F Flexible staging

Does Amy Granville have a 'fancy man? Set in a small Pennine village in the 1920s, Amy and Arthur have been marred just under a year, but the small community begins to talk in whispers when Amy starts visiting the public baths twice a week and taking long walks alone. Arthur is more interested in local cricket, football, and the pigeons he keeps, and in an attempt to inspire more romance in their relationship, Amy does nothing to dispel the rumours of her 'fancy man'. The plan initially works, as Arthur's rage and jealousy turns to desire for her, and the couple begin making love every night of the week, much to the consternation of the neighbours. But when Amy falls pregnant, Arthur is convinced that the baby isn't his but the 'fancy man's', and nothing she or anvonc else can say or do will dissuade him from his notion, leading to a tragic and unexpected twist.
ISBN: 0 85676 127 3

Fancy Meeting You Again

Play. George S. Kaufman and Leueen MacGrath. 6 men, 4 women. 3 Interior.

An attractive and energetic female has spent 5,000 years tracking down her man, without ever trapping him into matrimony. We first meet her in a wedding gown, in the year 1952, as she is about to make a marriage of convenience with somebody else. But she cannot go through with it." and she ditches the prospective bridegroom. This is the cue for the first of several flashbacks, and we pick up our determined lass in the stone age, begging to be tapped by her negligent cave man. Later, we see her as a Roman slave-girl, still on the trail, hot for her lover whose current reincarnation has turned him into a shepherd boy. In her contemporary manifestation Amanda Phipps discovers that the art critic Heybore, who has come to interview her, is none other that the man she has been in love with for five millennia. Ultimately Amanda meets the fate which she has awaited for so many centuries.

Fanshen.

Play. David Hare, based on the book by William Hinton
9 actors taking 30 parts. An open stage.

This play is an accurate historical record of what once happened in one village four hundred miles south-west of Peking. Based on William Hinton's book it recounts in vividly dramatic form how the people of this village come to terms with Communism. The play should be performed by about nine actors, with no props, lighting cues or scenery.
ISBN 0 573 01703 4

The Fantod

A Victorian Reverie. Amlin Gray. 4 men, 3 women. Interior

The scene is a country manor in 19th century England, where the widow Marryat and her adolescent daughter, Rachel, await the arrival of Sir Tristam Northmoor, a gentleman of clouded origin who had been with their departed husband and father when he died in a far off colonial outpost and who is now the executor of his estate. Sir Tristam proves to be a man of mystery and mesmerising gaze, who is immediately drawn to Rachel - despite her long-standing commitment to the rather bland but reliable Arthur Loscombe. Ostensibly devoted to establishing a temperance clinic. (through largesse from the departed's estate) Sir Tristam is actually more concerned with the exotic and sinister philosophies and potions of the East, and a Dracula-like hold over Rachel. Luckily the spell is broken, just in the nick of time, by the redoubtable Vicar Dibdin, whose purity of heart and abiding faith overcome the malevolent force which threatens the serenity of his parishioner's well-ordered world.
ISBN: 0-8222-0384-7

Far from the Madding Crowd

Play. Adapted by Matthew White from the novel by Thomas Hardy
M5 F3 or 4. Various simple settings.

The passion, melodrama, earthy humour and strong, gripping plot of Thomas Hardy's novel Far from the Madding Crowd are vividly conveyed in Matthew White's fast-moving and admirably economical adaptation. Written to be performed with the simplest of settings and a relatively small cast, this is a powerfully intimate, concentrated theatrical experience. Period 1870s
ISBN 0 573 01769 7

Farewell, Farewell, Eugene

Comedy. John Vari, with Rodney Ackland. 3 men, 6 women. Interior

How do you say "farewell" to someone who never appears in the first place? Let the action speak for itself: the time is 1915; the place a shabbily genteel basement apartment on Manhattan's Lower East Side. Its denizens are Gert and Minnie Povis: the former quite correct and slightly formidable, the latter not above sneaking a clandestine bottle of beer or reliving her brief but happy days as a member of a third-rate opera company. The sisters supplement a small income by turning out hand-painted greeting cards, which Cousin Peonie merchandises through her acquaintances in the "outside world." One of these is Chuck Bailey who is in love with Peonie but out of favour with Gert. He does move a lot of greeting cards, however, which means more money for the growing fund in the "Visit to Eugene Box." Brother Eugene, we might add, has been off in Africa for a rather long time doing nobody knows what. All this, of course, has its complications, which runs something like this: Gert manages to break up Peonie's romance; Peonie vanishes; a baby is left on the doorstep; the authorities take the baby away despite the pleas of Gert and Minnie. But then the pendulum swings back: Chuck redeems himself Peonie returns; Minnie gets slightly tiddly on liqueur-filled chocolates; Chuck and Peonie decide to get married and adopt the baby. As for brother Eugene, he is exposed for the worm he is by a certain letter not meant for his sisters' eyes, and they decide not to visit him after all - so it is farewell, and perhaps good riddance too.
ISBN: 0-8222-0385-5

The Farmer's Daughter

Comedy. F. Andrew Leslie from the screenplay by Allen Rivkin and Laura Kerr. 11 men, 3 women (many bit parts). Interior.

Katrin Holstrom, in the big city to study nursing, is obliged, for financial reasons, to take a temporary position as maid in the home of the wealthy and politically powerful Morleys. Mrs. Morley and her son Glenn, being political leaders, their home is a gathering place for newspaper people, candidates and party regulars and Katrin, with her encyclopaedic knowledge of rural politics, is fascinated by the "inside" goings-on. While serving coffee, however, she also expresses her opinions on people and policies, and soon it is clear that her ideas of how to run a political organisation are somewhat at variance with those of her employers. The upshot, after a perfectly logical, if uproarious, course of events, is that Katrin becomes the candidate for the opposition party - and the battle lines arc drawn. But politics can be dirty as well as exhilarating and the introduction of a trumped-up scandal involving Katrin forces her to give up her campaign for the good of the party. It also brings Glenn to her defence, and in the fast-moving climax of the play he proves the charges are false, exposes the other candidate for the bigot he is, and persuades Katrin that if she can't go to Washington one way she should go another - as his wife.
ISBN: 0-8222-0386-3

The Farndale Avenue Housing Estate Townswomen's Guild Dramatic Society Murder Mystery.

Comedy. David McGillivray and Walter Zerlin Jnr
M1 F4 (20s-50s). A drawing-room.

Every drama group has experienced the horrors of what can go wrong on the night and the ladies of the F.A.H.E.T.G.D.S. are no different, with the possible exception that almost everything that could happen does. The scenery collapses, cues are missed, lines forgotten, as the ladies present their ambitious evening's entertainment with the cunning whodunit Murder at Checkmate Martyr.
ISBN 0 573 11141 3

The Farndale Avenue Housing Estate Townswomen's Guild Dramatic Society's Production of A Christmas Carol.

Comedy. David McGillivray and Walter Zerlin Jnr
M 1 F4 (20s, 40s, 50s). M and F voices. Various simple settings.

In festive mood, the F.A.H.E.T.G.D.S. ladies mount yet another assault on the classics with their stage version of A Christmas Carol. Enthusiasm their middle name, and with the virile support of stagemanager Gordon, the cast present a dizzy array of characters from the Dickensian favourite (and a few which aren't).
ISBN 0 573 01680 1

The Farndale Avenue Housing Estate Townswomen's Guild Dramatic Society's Production of Macbeth.

Comedy. David McGillivray and Walter Zerlin Jnr
M3 F7 (20s-50s), with doubling. M1 F2 voices only. Simple settings.

This uproarious comedy introduces the ladies of F.A.H.E.T.G.D.S., their producer, Plummer, and stage manager, Henry. Their startlingly original production of Macbeth should get them to the Welwyn Garden City Finals, but, under the carefully mascara'd eye of adjudicator George Peach, events conspire against them ...
ISBN 0 573 11269 X

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