Mr Puntila and his Man Matti. Play. Bertolt Brecht

Translations:

John Willett, music by Dessau
Paul Kriwaczek
Gerhard Nellhaus

M 14 F7 (children). Extras. Interior and exterior settings.

Mr Puntila suffers from a dual personality. When drunk he is human and humane; when sober he is surly and self-centred. In the former condition he proposes to Eva to marry his own loyal and sardonic friend, his chauffeur Matti. When he sobers up he throws Eva out and abuses Matti. However, after putting Eva's suitability to the test, and having had enough of Puntila's instability, Matti leaves him, saying 'water and oil can never blend.'

Mr Quigley's Revenge. Play. Simon Brett
M 14 F20 (speaking parts). A village hall.

Frinsley Village Hall is the hub of community life, lovingly tended by the amiable Mr Quigley, whose little blue book ensures the aerobics class never clashes with the wedding bookings. But plans are afoot to change this cosy existence ... the invidious Keith has plans to sell the site. Feeling sure of success, Keith launches his attack on Mr Quigley -a big mistake, for Mr Quigley is wilier than he looks. Offers acting opportunities for all and great fun for the audience!
ISBN 0 573 01845 6

Mr Thomas (in First Run 3). Kathy Burke
4m 1f. Black comedy. Single interior set.

A consciously Ortonesque piece, by an author better known for her acting roles (Nil By Mouth and Harry Enfield), explores the issue of sexuality in a society where respectability is paramount. Set in a tatty 1950s bedsit, George arranges to go to a bar with some friends and his landlady, but the evening is interrupted by the arrival of Mr Thomas. The play 'develops from a very funny comedy of kitchen-sink manners to a sinister comment on social stereotyping' Time Out
ISBN 1 85459 059 6

Mr Whatnot. Comedy. Alan Ayckbourn
M7 F4, doubling possible. Various settings.

Mr Whatnot is Mint, a piano tuner, summoned to the stately home of Lord and Lady SlingsbyCraddock. Once there he falls in love with their daughter, Amanda, elopes with her, fails to save her from marriage to Cecil but wins through in the end. With plenty of mime and sound effects Mr Whatnot offers great opportunities to an imaginative director for a highly entertaining and unusual production.
ISBN 0 573 11287 8

Mrs Klein. Play. Nicholas Wright
F3 (30s, 52). A living-room.

Seen in London at the Natonal and Globe theatres in 1988 starring Gillian Barge, Francesca Annis and Zoë Wanamaker, this powerful drama centres on an episode in the life of controversial childpsychoanalyst Melanie Klein. Because of the death of her son, Hans, Melanie is confronted with the irony of being a successful child analyst but a failed mother. She attacks her own daughter Melitta who leaves for good and whose role as daughter is replaced by Melitta's friend, Paula. Period 1934

Müller's Dancers (in Hungarian Plays). Akos Nemeth. English version D. Mornin
6m 5f, extras. Drama. Flexible staging.

Müller has deserted the dance company he founded, and his dancers' careers and private lives fall apart without him. Explaining the metaphor at its heart, the play's first director commented: 'For forty years we (in Hungary) had been held tightly by the hand - and it was comfortable. Now they let go, and we all feel confused.'
ISBN 1 85459 244 0

The Mummy's Tomb. Play. Ken Hill. Songs by Alan Klein and Ken Hill
M7 (young, middle-age) F2 (young, middle-age), with doubling. Interior and exterior settings.

In ancient Egypt, Pharaoh's wife Ashayet kills her lover's mistress. Pharaoh banishes Ashayet and entombs and mummifies her lover. But Ashayet also is immortal, having bathed in the River of Life. AD 1922-Professor Niven sets out for Egypt with his daughter, Nancy, and rather unwisely, both her present and past fiancés. Almost at once strange things happen. Period 1380BC; AD 1922
ISBN 0 573 11288 6

Murder Assured. Thriller. Tony Clayton
M4 (middle-age) F2 (20s, middle-age). A living-room.

The problems arise when bad times hit previously successful writer Stephen Ryder, forcing him to auction his very large and expensive insurance policy. This presents his wife, Sheila, with the opportunity to cash m by plotting Stephen's death with 'friend of the family' Gordon Crawford. But how many people is Gordon fooling'? Is old flame Harry Manley as naive as he appears and how does Christine, Stephen's faithful secretary, fit into the scheming The final twist leaves the audience buzzing.
ISBN 0 573 01611 9

Murder at Deem House. Play. Sam Bate
M4 (20, 40, middle-age) F6 (young, 20, 40, middle-age). A living-room.

When Nurses Iver and Boone inherit £100,000 after years of looking after old Mrs Deeming rather than the £500 everyone had expected - it appears that something sinister is going on. When the lawyer of the deceased asks Nurse Boone for a signature, he is later shot dead. But then, it could have been his wife who shot him: she had just surprised him kissing his secretary. Helped by the flighty servant Flora, Superintendent Forrest sifts the clues.
ISBN 0 573 11292 4

Murder at the Vicarage. Drama. Dramatized by Moie Charles and Barbara Toy from the novel by Agatha Christie
M7 (young, 16, 30, 40, elderly) F6 (young, 17, 35, middle-age). A living-room.

Everyone has a motive for wishing Colonel Protheroe dead. Amidst the heightening tension fostered by anonymous letters and bogus telephone calls moves the gentle figure of Miss Marple, whose old-maidish exterior conceals a very shrewd brain. She has the uncanny knack of knowing most people's secrets and it is she who is ultimately responsible for solving the mystery.
ISBN 0 573 01291 1

Murder by Appointment. Play. Frank Williams
M4 (young, 17, middle-age) F2 (young, middle-age). A drawing-room.

This play cleverly manipulates modern trends and conceptions of behaviour to the murderer's advantage. Building on present psychological ideas of heredity and sexual tendencies the author has designed such a plot that not only is the murderer's identity concealed right to the end but the audience is lured into condemning the wrong man, not once, but twice. Red herrings abound to make this into an exciting and devious thriller for ambitious societies and adult audiences.
ISBN 0 573 01621 6

Murder by Misadventure. Play. Edward Taylor
M3 (30s-40s) F 1 (30s). A penthouse flat.

Laughs, thrills and mind-boggling twists abound in this ingenious thriller which played at the Vaudeville Theatre in 1992 with a cast including Gerald Harper and William Gaunt. Despite their success as authors of TV thrillers, Harold Kent has become dissatisfied with his writing partner, and wants to dissolve their association. So he takes inspiration from one of their scripts ... 'It has a lastscene denouement which turns every available table, until you are left giddy with bewilderment ... ' Evening Standard
ISBN 0 573 01835 9

Murder by the Book. Thriller. Duncan Greenwood and Robert King
M3 (late 20s, middle-age) F2 (early 20s, mid-30s). A drawing-room.

Crisp, witty exchanges of dialogue pepper this light-hearted and inventive thriller. A thriller writer indulges in vitriolic verbal duels with his estranged wife, until she turns a gun on hi and fires. An amateur detective from the next flat attempts to solve the murder puzzle- then the 'corpse' rises, full of life, and the tables are turned, more than once, for victim and killers alike ...
ISBN 0 573 11300 9

The Murder Game. Play. Constance Cox
M2 (28, 40) F2 (26, 35). A living-room.

Brian and Sheila Hamilton live in apparently affluent comfort; but in reality their marriage is breaking up. In fact, it would be considerably to Brian's advantage if Sheila were to die. His friend Gerry suggests a fool-proof method of bringing this about. The murder is carried out - and successfully-but it is not long before Brian realizes that, by putting himself in Gerry's power, he has indeed exchanged the frying-pan for the fire.
ISBN 0 573 01222 9

A Murder Has Been Arranged. Ghost Story. Emlyn Williams
M4 (young, 40s) F6 (young, 20s, middle-age, 45). A stage.

There is a legend concerning a murder once committed at the St James' Theatre, that a dumb woman will appear on stage to reveal the murderer. Sir Charles Jasper holds a dinner-party in the theatre. Tonight he will come into a vast fortune. Should he die before eleven, his nephew Maurice will inherit it. Maurice arrives and engineers his uncle's murder. Then the dumb woman of the legend appears ...
ISBN 0 573 01294 6

Murder in Company. Play. Philip King and John Boland
M4 (21, 40s) F4 (20s-40). An empty stage.

A dramatic society is assembling on the stage of a church hall to rehearse a production of a mysterythriller. The rehearsal proceeds under difficulties until the mysterious death of the caretaker brings the situation of the whodunit even more closely into real life. It transpires that almost everyone might, and could have, murdered the dead man - eventually the identity of both killer and prowler is revealed.
ISBN 0 573 01289 X

Murder in Mind. Play. Terence Feely
M5 (young, middle-age) F2 (young, slightly older). Extras 1 M. A hall/sitting-room.

Mary, an international art dealer, arrives home to find her house occupied by three 'strangers' claiming to be her husband, cousin and sister. Even more mysterious is the fact that they seem aware of details of her family life which could only have been known to her most intimate circle. The nightmare situation becomes more and more complicated, including the sudden appearance of a murdered man ...
ISBN 0 573 11303 3

Murder in Neighbourhood Watch. Thriller. Stewart Burke
M4 (30s-50s) F3 (teenage, 30s, 40s). A living-room.

Panic grips West Lynstead when a famous dress designer is raped and strangled. Andrew Wingate, headmaster of the local school, sets up his own 'neighbourhood watch' and, disguised as a woman, walks the woods at night, laying himself open as bait for the killer. Suspense builds in this exciting play as Andrew is accused by an anonymous caller of attempted rape and a schoolgirl is lured into the hands of the killer ...
ISBN 0 573 11290 8

Murder in Play. Play. Simon Brett
M3 (30s, 40s, 60s) F5 (20s, middle-age). A living-room box set.

Boris Smolensky's budget repertory production of "Murder at Priorswell Manor" is looking decidedly shaky. The cast are more interested in their egos than the play and life imitates art when Boris's wife, Renee, is murdered on stage. Simon Brett's hilarious text, a worthy companion to his Charles Paris theatrical thriller novels, ruthlessly satirizes the politics of the inept company and the numerous red herrings keep the audience guessing until the final moments of the play.
ISBN 0 573 01840 5

A Murder is Announced. Play. Agatha Christie. Adapted by Leslie Darbon
M5 (young, 20s, 50s) F7 (20s, middle-age, 50s, elderly). A drawing-room.

The 'announcement' is in the local paper, stating time and place of a murder to occur in Miss Blacklock's early Victorian house. However, the victim is not one of several occupants, temporary and permanent, but an unexpected and unknown visitor. What follows is a classic Christie puzzle, with Miss Marple on hand to provide the final solution in a dramatic confrontation scene just before the final curtain.
ISBN 0 573 11295 9

The Murder of Maria Marten or The Red Barn. Melodrama. Brian J. Button
M5 F8. Various simple interior and exterior settings.

In 1827, Willam Corder murdered Maria Marten, the mother of his illegitimate child, and buried her body in the Red Barn. Because of his wife's recurring dream, Thomas Marten searched the barn and discovered the body of his daughter. The fact that this production gets unsullied, hearty fun from these macabre ingredients is proof of its sureness - of its energy that pushes aside any attempt to think seriously about the horrors. Period 1820s

Murder on the Nile. Play. Agatha Christie
M8 (young, 28, middle-age) F5 (young, 24, 60). A ship's saloon.

Simon and Kay Mostyn are honeymooning aboard a Nile steamer. With them, apparently by accident, are Canon Pennefather, Kay's guardian and Jacqueline, Simon's ex-girlfriend. During the course of the voyage Jacqueline works herself into a state of hysteria and shoots at Simon, but only wounds him in the knee. A few minutes later Kay is found shot. Canon Pennefather lays bare an audacious conspiracy and ensures that the criminals shall not go free.
ISBN 0 573 01298 9

The Murder Room. Mystery Farce. Jack Sharkey
M3 (young, 40s, 50s) F3 (young, 30s, 60s). A livingroom.

Two days after their marriage Edgar catches Mavis, a villainess if ever there was one, telling obvious lies about where she has spent the evening. After a first attempt to kill him by poisoning his cocoa fails - the cat dies instead - she fires three shots into him and phones her lover. Later it transpires that the pistol contained only blanks, and Edgar's body vanishes. From then on complication follows complication until chaos reigns supreme.
ISBN 0 573 61283 8

Murder with Love. Play. Francis Durbridge
M6 (28, 40s) F3 (young, 30s, middle-age). Split set: two living-rooms.

Many people dislike Larry Campbell but none feel more embittered than David Ryder. Ryder pursues his vendetta by nefariously obtaining a key to Campbell's flat to kill him. Deceit, suspicion blackmail and incrimination are woven into the web of crime which is completed by a second killing and a tantalizing twist at the climax.
ISBN 0 573 11302 5

Murderer. Play. Anthony Shaffer
M2 (35, 40s) F2 (25, 30s). A living-room, bathroom and sauna.

An unusual and macabre beginning to this play sets the audience's nerves twitching well before any dialogue confuses their minds! Norman apparently murders his girlfriend, Millie, and is in the process of disposing of her body when he is interrupted by a Sergeant Stenning. The ensuing hunt for the victim and the ghoulish discovery of a head burning in the stove is fiendishly climaxed by the revelation that it is only a dummy. Yet is Millie really dead or not? For connoisseurs of murders only. (NB This play contains violent scenes)
ISBN 0 573 01590 2

Murmuring Judges. Play. David Hare
M19 F6. Extras. Various simple interior and exterior settings

When Irina Platt embarks on her first case as a lawyer, she finds that all sections of the criminal justice system - police, courts and prisons - are running far from smoothly. With its large multicultural cast and contemporary settings ranging from prison interiors to the Inns of Court, Murmuring Judges presents a broad yet finely detailed picture not only of the judicial system but of British society in the 1990s.

Music Lessons (in Cinzano). Ludmila Petrushevskaya. Trans S. Mulrine
6m 7f, extras. Drama in two acts. Flexible staging.

A realistic, domestic drama, set in a Moscow apartment block, tells the story of two interrelated families. Their lives are depressingly full of problems, but the individuals are drawn with great warmth and understanding.
ISBN 1 85459 106 1

The Musical Comedy Murders of 1940. Thriller/Farce - John Bishop
M6 F5 - Setting Library of mansion

Under the guise of a backer's audition for their new musical, the production team of a recent Broadway flop assemble at an isolated country mansion to try to piece together the identity of the mysterious "Stage Door Slasher", who murdered three of the chorus girls in the show. While a blizzard rages outside and the composer, lyricist, director and actors prepare for their performances, the Slasher reappears, striking again - and again, and again!

Assassins stalk each other through secret passageways and behind hidden library panels in an ever-increasing romp through comic pastiche involving German spies, a bumbling police investigator and a maid who is apparently four different people - all of which figure in the intrigue and hilarity before the Slasher is finally unmasked.