THEATRE STUDIES

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TWENTIETH-CENTURY IRISH DRAMA
Mirror Up to Nation
Christopher Murray

Jun 2000 288pp 0-8156-0643-5 Paperback

This work provides an overview of Irish theatre, read in the light of Ireland's self-definition. Mediating between history and its relations with politics and art, it attempts to do justice to the enabling and mirroring preoccupations of Irish drama.
Syracuse University Press


THE INTERVENTION OF PHILOLOGY
Gender, Learning, and Power in Lohenstein's Roman Plays

Jane O. Newman

May 2000 304pp, 5 illustrations 0-8078-8122-8 Hardback

University of North Carolina Studies in the Germanic Languages and Literatures

An examination of the interplay of history, textuality, dramaturgy and politics in the transvestite school dramas of Daniel Casper von Lohenstein.
The University of North Carolina Press


ANNA HELD AND THE BIRTH OF ZIEGFELD'S BROADWAY
Eve Golden

Apr 2000 304pp, 69 b&w photographs 0-8131-2153-1 Hardback

Anna Held was America's most popular musical comedy star during the two decades preceding World War I. In the colourful world of New York theatre during La Belle époque, she epitomised everything that was glamorous, sophisticated, and suggestive about turn-of-the-century Broadway.
The University Press of Kentucky


SHAW'S THEATER
Bernard F. Dukore

Apr 2000 288pp,10 b&w photographs 0-8130-1757-2 Hardback

The Florida Bernard Shaw Series

Written by one of the United States' pre-eminent Shaw scholars, this text examines the work of George Bernard Shaw in the theatre and the use of theatre in his work.
University Press of Florida


ACTORS AND AMERICAN CULTURE, 1880-1920
Benjamin McArthur

Mar 2000 304pp,11 photographs 0-8774-5710-7 Paperback

Studies in Theatre History and Culture

This text provides an overview of late-nineteenth- and early-twentieth-century theatre. It is a study of the legitimate stage that overtly attempts to connect actors and their work to the wider aspects of American life.
University of Iowa Press


THE POLITICAL PLAYS OF LANGSTON HUGHES
Langston Hughes
With Introductions and Analyses by Susan Duffy

Feb 2000 240pp 0-8093-2296-X Paperback

Collected here are four of Hughes' most poetic and political dramas: Scottsboro Limited, Harvest (also known as Blood on the Fields), Angelo Herndon Jones, and De Organizer. Each play reflects Hughes' desire to dramatise the social history of the African American experience.
Southern Illinois University Press


TOKENS?
The NYC Asian American Experience on Stage
Edited by Alvin Eng

Feb 2000 465pp 1-8898-7610-0 Hardback : 1-8898-7609-7 Paperback

This book presents a collection of plays and performance pieces chronicling the struggles of Asian American artists to find a place in the off-Broadway theatre world.
Asian American Writers' Workshop Temple University Press


BENEATH IËRNE'S BANNERS
Irish Protestant Drama of the Restoration and Eighteenth Century
Christopher J. Wheatley

Jan 2000 176pp 0-2680-2158-9 Paperback

This volume examines the works by Protestant dramatists of the eighteenth century. The author reveals the complex alliances and fissures of Anglo-Irish society during the age of the Penal Laws.
University of Notre Dame Press


BRIAN FRIEL'S (POST) COLONIAL DRAMA
Language, Illusion and Politics
F C. McGrath

Dec 1999 320pp 0-8156-2813-7 Hardback

Irish Studies

Drawing on the theory and techniques of the major post-colonial critics, this text offers an interpretation of Brian Friel's texts and his place in the tradition of linguistic idealism in Irish literature.
Syracuse University Press


EMBODIED MEMORY
The Theatre of George Tabori

Anat Feinberg

Dec 1999 384pp, 25 photographs 0-8774-5686-0 Hardback

Studies in Theatre History and Culture

A study of the controversial dramatist, George Tabori. A Jewish-Hungarian playwright and novelist, Tabod is a unique figure in post-war German theatre. Making use of archival material, this biographical account is followed by a study of Tabori's experimental theatre work.
University of Iowa Press


THE LETTERS OF RUTH DRAPER
Self-Portrait of an Actress, 1920-1956
Edited by Dorothy Warren

Dec 1999 374pp,10 b&w illustrations 0-8093-2188-2 Paperback

Ruth Draper was an acclaimed monologist who toured the world with her "cast of characters". This collection of letters is drawn from the diverse correspondences she kept during her extensive travels. Introduced by Sir John Gielgud, this book portrays her as a vibrant and sensitive character.
Southern Illinois University Press


LIGHTING THE SHAKESPEAREAN STAGE, 1567-1642
Robert B. Grams

Dec 1999 274pp, 35 b&w illustrations 0-8093-2275-7 Hardback

An examination of the lighting of early modem English drama from both historical and aesthetic perspectives. It traces the contrasting traditions of sunlit amphitheatres and candlelit hall playhouses, describes the different lighting techniques, and estimates the effect of these techniques.
Southern Illinois University Press


THE WORLD OF RUTH DRAPER
A Portrait of an Actress
Dorothy Warren

Dec 1999 224pp, 23 b&w illustrations 0-8093-2162-9 Hardback

This biography charts the career of Ruth Draper from her eary days giving monologues at parties, to her professional debut in London, to private stage performances for various royal families. Also covered is her relationship with poet and political activist Lauro de Bosis.
Southern Illinois University Press


CHRISTIAN HUMANISM IN THE LATE ENGLISH MORALITY PLAYS
Dorothy H. Brown

May 1999 192pp, 5 b&w illustrations 0-8130-1701-7 Hardback

This text considers the morality plays of the late sixteenth century as vehicles of Christian humanism. Linking theories put forth by the privileged classes with evidence in plays performed for popular audiences, she shows how these ideas became part of everyday life for many English citizens.
University Press of Florida


DISTANCE MANIPULATION
The Russian Modernist Search for a New Drama
Joanna Kot

Nov 1999 192pp 0-8101-1654-5 Hardback

Studies in Russian Literature and Theory

At the turn of the century, a stream of dramatic works appeared that confused their audiences to an unprecedented degree. Using five early twentieth-century Russian plays, this book examines the devices the playwrights used to undercut the theatrical expectations of their audiences.
Northwestern University Press

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